from January 7 to 23, 2025

La Commune, National Drama Center (CDN) of Aubervilliers, invites the Nathalie Béasse company—associate artist for the 2024–2027 period—to take over the theatre for a major event entitled “Pavillon”: "To inherit a theatre in January and open it in June. So, quickly move towards joy, toward desire. Go straight to the heart of encounters, of longing. No programs, no strategies—move forward through the joy of others. Form a team, give rise to projects we ourselves hadn’t foreseen. [...]
That is why, starting this season, an international festival and five artists—a playwright, a director, a choreographer—will take turns transforming La Commune by installing their own 'Pavilions,' bringing together new works, repertory pieces, emerging artists they will endorse, installations, exhibitions... Each time creating a universe of their own." Frédéric Bélier-Garcia, Director of La Commune, CDN Aubervilliers

This pavillon was structured around three components:
- the presentation of two productions: velvet and le bruit des arbres qui tombent

- a workshop with professionals, which led to public showings of a short piece created on-site

- the company also invited other artists:
              saturday, january 11: 
              four young artists connected to la cabine presented short-form pieces

              saturday, january 11 and sunday, january 12: 
              denis and louise mariotte presented their choreographic and visual performance et caetera

From November 11 to 15, 2024

the TU-Nantes invites Nathalie Béasse to compose a sensory journey through her artistic universe. This invitation is a nod to the TU's inauguration in November 1994: exactly 30 years later, the TU extends an invitation to the artist to whom it has remained loyal for nearly three decades. Over these few days, she presents her latest work velvet, hosts a lecture by Pierre Lesquelen shedding light on the humility of creation, invites young artists from la cabine — a platform dedicated to emerging artistic practices in Angers — along with a round table, and has a few surprises in store.

18th  January - 1st Febuary 2024

For more than 20 years, the work of Nathalie Béasse have been widely acclaimed on the greatest French and European stages, from the Venice Biennale to the Avignon Festival. Until now, however, she had never had the opportunity to show her work in Belgium. TheThéâtre Varia, located in the heart of Brussels in the European district, has decided to devote to it in January 2024 to Nathalie Béasse's work. Three weeks dedicated within the Théâtre Varia program, to take the time to navigate in the singular imagination of this major figure of the contemporary scene, and establish a privileged dialogue with her, around four shows from her repertoire: aux éclats..., le bruit des arbres qui tombent, tout semblait immobile, ceux-qui-vont-contre-le-vent.
Coline Struyf, director Théâtre Varia.

aux éclats... / 17th - 20th January 2024
le bruit des arbres qui tombent / 24th - 27th January 2024
tout semblait immobile / 27th January - 1st Febuary 2024
ceux-qui-vont-contre-le-vent / 30th January - 1st Febuary 2024

artist talks, workshops and other events will be announced at a later date. 
théâtre varia 

march 2022

 

10 days with the company nathalie béasse 

3 shows :

tout semblait immobile - 16th to 19th march 2022

ceux-qui-vont-contre-le-vent - 17th to 18th march 2022

aux éclats… - 24th to 26th march 2022

along with workshops, talks and a public interwiew

Libération - 30th may 2019
Nathalie Béasse, attention au fragile - by Anne Diatkine
Lire l'article

In 2019, Nathalie Béasse became associate artiste at la Comédie de Clermont-Ferrand scène nationale pour trois années for a three-year period. In spring, for four weeks La Comédie presents four of Nathalie Béasse works from her repertoire previously presented at The Venise Biennale - happy child, tout semblait immobile, roses and le bruit des arbres qui tombent, inviting the public to discover this journey through her work.

along with talks and workshops for schools/colleges organised by and with the complicity of La comédie and the education team.

Following the principle behind the project Théâtre Permanent developped by Gwenaël Morin, the company nathalie béasse invested the théâtre du point du jour à Lyon for four months, september to december 2016.

We presented three shows - happy child, tout semblait immobile, roses – shared work in progress: le bruit des arbres qui tombent, created daily site specific performances, show live, and delivered workshops as well as welcoming the public for dinners with the company.